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・ Piano Sonata in F major (Sibelius)
・ Piano Sonata in F major, K. 547a
・ Piano Sonata in F minor, D 625 (Schubert)
・ Piano Sonata in F-sharp minor (Stravinsky)
・ Piano Sonata in F-sharp minor, D 571 (Schubert)
・ Piano Sonata in G major (Tchaikovsky)
・ Piano Sonata in G major, D 894 (Schubert)
・ Piano Sonata No. 1
・ Piano Sonata No. 1 (Beethoven)
・ Piano Sonata No. 1 (Brahms)
・ Piano Sonata No. 1 (Chopin)
・ Piano Sonata No. 1 (Hindemith)
・ Piano Sonata No. 1 (Mozart)
・ Piano Sonata No. 1 (Prokofiev)
・ Piano Sonata No. 1 (Rachmaninoff)
Piano Sonata No. 1 (Scriabin)
・ Piano Sonata No. 1 (Vine)
・ Piano Sonata No. 10
・ Piano Sonata No. 10 (Beethoven)
・ Piano Sonata No. 10 (Mozart)
・ Piano Sonata No. 10 (Prokofiev)
・ Piano Sonata No. 10 (Scriabin)
・ Piano Sonata No. 11
・ Piano Sonata No. 11 (Beethoven)
・ Piano Sonata No. 11 (Mozart)
・ Piano Sonata No. 11 (Prokofiev)
・ Piano Sonata No. 12
・ Piano Sonata No. 12 (Beethoven)
・ Piano Sonata No. 12 (Mozart)
・ Piano Sonata No. 13


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Piano Sonata No. 1 (Scriabin) : ウィキペディア英語版
Piano Sonata No. 1 (Scriabin)
The Piano Sonata No. 1 in F minor, opus 6, by Alexander Scriabin, was the third of twelve piano sonatas that he composed. It was completed in 1892. The key of the sonata is the dark key of F minor. The music is emotionally charged as much of the music was written after Scriabin had damaged his right hand through excessive piano playing.
==Background==

Scriabin's very first sonata, one movement in G sharp minor (companion movements have not been found), was only published posthumously and the second, in E flat minor, was condensed and rewritten to be the single movement Allegro Appassionato Op. 4.
Alexander was reportedly overpracticing Liszt's "Don Juan Fantasy" and Balakirev's ''Islamey'' when he damaged his right hand. He was informed by physicians that he would never play again. The first piano sonata was Scriabin's personal cry against God: the tragedy of the loss of a virtuoso pianist to whimsical fate, God's design.〔(1997), Ashkenazy notes, p5〕 During this period of disability, he wrote the Prelude and Nocturne, op. 9 for left hand alone; however, in due course his right hand recovered.
The temporary loss of his right hand facility is also credited with inciting him to develop complicated rhythmical patterns for the left hand in much of his music. This quality helps to explain, in part, why many of his pieces are considered quite challenging to perform.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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